Possessing a style full of symbolism, spirituality, psychology and expressive force U.S. dancer and choreographer Martha Graham, creator of one of the most famous of contemporary dance, was born on 11 May 1894 in Pittsburgh, Pennsylvania. His biographers have he began his dance studies in 1916 in Denishawn, school and company founded by Ruth St. Denis and Ted Shawn, from whom he learned the value of assessing the non-Western dance. Despite not having the technical skills of their partners, had a quality that distinguished it from others: his extraordinary fervor. The tenacity and dedication were exceptional emotional and Martha offset any deficiency. This led in 1923 to become professor at the Eastman School of Music, richest, and has since devoted himself to choreography plenamenta. Be three years later, in 1926, when he debuted as an independent artist in New York. At that time abandoned teaching classical and romantic and became interested in contemporary dance. "I will make this work or any other groups want to tell me that I should stop," was the answer given by the dancer to criticism of his teachers when he decided to make his way alone. As a teacher, Martha demanded absolute surrender in their classrooms no laughing, talking or whispering. There was no "good morning" or "goodbye," his voice was heard directing instructions. For her, discipline was the source of success: "The dancer is realistic, the art teaches you to be. No matter if the foot is pointed or not, it will no dream in points for us. This requires discipline, no dreams, "he said. In the 30's modern dance underwent a real change of direction, as well as in other art movements, especially the theater, the troubled social and political climate of the decade influenced in moving decisively. The new choreographers showed a strong social commitment and a desire to bring dance to a larger audience. At the same time, also came up among them a strong contempt for the ballet "the establishment" and the lightness of their arguments, only reproduced the nineteenth-century romanticism and were directed to an elite. Graham was not indifferent to this movement and influenced by current existentialist philosophy, especially by his friend Jean Paul Sartre, and socialism, his work "Heretic" and "Sketches for the people" were studies on the mass uprising. But if something was truly revolutionary work was in his need to express the reality of his country and achieve a style that differed from the European ballet. In his works "Frontier" and "Appalachian Spring", the choreographer reflected the daily lives of American people. In the decade of the 50's and was one of the world's most renowned dancers and the true leader of modern dance. His choreographic production was huge and had expanded to issues as diverse as addresses religious rituals, Greek mythology, the status of women, poetic tragedy and satire. In addition, at that time had an aura of sensuality and passion thanks to the great love that was living with one of his dancers. The major technical contribution to dance Graham was the creation of a new method called by it "contraction and relaxation." From curved movements of the torso and withdrawn expressed an essential and inescapable human being forgotten until then: pain. If the ballet one of the primary purposes was to conceal the effort, she was visible because it "is part of life." Thus, the full range of feelings was represented: hatred, bitterness and ecstasy were transmitted with a single gesture. Graham focused on the torso as a source of life, as a driver. "The arms and legs can be used for operations or movements, head for decisions and judgments. But everything, every emotion is visible first in the torso. The heart beats and lungs are full, there is the air and his life, "he said. This choreographic style gave her a vision works hard and angular, reminiscent of Cubist, as in his famous work "Lamentation", in which the dancer expresses the anguish of a woman, wrapped in a long tube of stretchy fabric in which only her face was exposed. These forms were very unfamiliar to the public regular ballet, which accused the begin dancing in an "unsightly." Despite the fame and honor, the dancer had trouble growing support their company because he refused to have their works were represented by other dance groups or someone who had not been trained in their teaching style. Moreover, I knew that when they drop their choreography to other groups lose control of them and this could be negated. In 1968, at age 64, Martha Graham gave his last performance as a dancer. For some time critics and pressured by their classmates to leave the stage. The cost of this decision was very large: the choreographer fell in physical and moral collapse for several years. However, in 1973 rose from its ashes: re-creating choreography, to take charge of your company and accompany her on tour until his death on April 1, 1991. "I never think of the things I did, only in the things I want to do, which I have not done," he said in the last interview made shortly before his death. Throughout his career, Graham has created more than 200 ballets and his school today, his company and his technique are still valid. Source Notimex / AYV
From: Www.danzaballet.com
From: Www.danzaballet.com
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